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Love at First Sight
One
car immediately caught the older gentleman’s eye as if it was one of the
many creations that he’d made famous throughout his years of working
with finely tuned automobiles. His walk wasn’t as steady as it once used
to be. Blame it on a heart transplant and numerous other medical
improvements made to ensure a better quality of living. As he walked over
to the car, one hand gripping a cane, he placed a hand lovingly on the
immaculately painted carbon fiber bodied creation and the only words that
came to mind were, “You did good boys. I’m proud of you.”
That was exactly the
scenario that transpired in New York Mortgage Banker Mike Ashley’s pits
as legendary automotive figure Carroll Shelby saw the Pro Modified version
of one of his most famous endeavors ever – the 1967 Shelby GT500E.
Nevermind the incredible reproduction of Ford’s Mustang Fastback that
Shelby made famous through the movie “Gone in 60 Seconds,” this was a
version that could not easily be paralleled. Harnessing 2500
horsepower and sporting a paint scheme that could make even the most
dedicated Shelby fan faint at its mere existence, this creation was beyond
what the master could have envisioned. This one was one of Shelby’s
hottest muscle cars fed enough steroids to make a thoroughbred stallion
choke. This was “Gone in 6.0 Seconds” and Shelby loved it to death. That approval was enough
to lift the weight of the world from the shoulders of Pro Modified’s
original low qualifier Ashley, whose initial introduction to the sport
garnered him the “Kid from Long Island” nickname. Gaining the thumbs
up was crucial to Ashley’s efforts. It was another personal victory for
the racer that seems to be attracting them in droves. a d v e r t i s e m e n t Click to visit our sponsor's website “Anyone who is a car
enthusiast immediately relates to the name Carroll Shelby,” explained
Ashley. “I was real excited about doing the project. I just wasn’t
sure in the early going that I was going to be able to pull it off. This
hadn’t been attempted by anyone else in Pro Modified that I knew of. I
was initially concerned about what it would take to get the mold and get
the body and all of that in time for the following season.
“I was very excited
about the project. I realized the awesome responsibility that came along
with representing an icon like Carroll Shelby. I wasn’t sure if I was up
to the task.” So how does one put
together such an intricate deal with the precision of a plastic surgeon?
In the interest of fair reporting, Ashley will be the first to admit that
it all fell into his lap at an opportune time. Ashley was on the heels
of one of his more frustrating seasons on the NHRA AMS Pro Modified
Challenge, when his sponsor InfiNet Insurance and Financial approached him
with the feasibility of such a project. The company, which is run by the
trio of Richard Kearby, Doug Hasty and Chris Lane, had just embarked on
another business venture under the name of Unique Performance. Unique Performance was
founded to serve the immediate need of high-end musclecar restorations for
clients and immediately struck paydirt with a popular product line of
“Eleanor” reproductions. a
d v e r t i s e m e n t The reproductions
actually began as Hasty had built one for himself and found it hard to
fend off the countless inquiries as to how others could get one just like
his. It didn’t take long for Unique to begin marketing aftermarket
replicas through the blessings of Shelby. The initial production
line began in a 3,000 sq. foot shop, but has since increased drastically
with the demand. It is now 30,000 sq. foot and incredibly there’s a six
month waiting list because the demand is so high.
Hasty, Kearby and Lane
didn’t immediately draw an answer from Ashley. Instead, he first chose
to investigate the possibilities available first. As fate would have it,
the idea was already in motion by another racer, albeit not on the same
path of marketability that Ashley planned to travel. “This guy named Mike
Herring, a very likeable gentleman, had absolutely been in love with that
car and was building one,” explained Ashley. “He had Tommy Mauney
build him a car and had the molds from the body. It was actually a nitrous
car and he was getting ready to debut it. “I called him and
conveyed that his car was exactly what I needed. I asked him if he would
sell it and after some convincing, we were able to acquire it. We
converted it to a blown engine combination and the rest is history.” Seeing Shelby’s
approval visible on his countenance, was enough to clue Ashley and his
backers that they’d hit a promotional homerun on the first pitch. “He loved it,”
admitted Ashley. “He told us that we should pat ourselves on the back
for doing such a fine job. He loved the paint scheme, its likeness to the
original project and he especially liked his portrait on the rear deck of
the car. He was into it because he’s really in tune to the racing stuff.
It was amazing to have a man in my corner that the legends of our
spot…John Force and Don Prudhomme…look up to and admire. The whole
track was going crazy and there were more than a handful of people waiting
for his autograph. The guy’s amazing and certainly lives up to his
reputation as a legend.”
Did he feel a lot of
pressure to live up to the Shelby standard? “Oh yeah,” Ashley
answered. “When you have a legend like Shelby there and couple it with
25 of the toughest Pro Modified cars in the world, it puts a mountain of
pressure on your shoulders. We did well in the face of that pressure
because we went out and ended up number one for the first day and third by
the end of qualifying. We also went to the semi-finals. “The very next race we
qualified on the pole and won. Just having this car has served as a
confidence builder as we are now just a few rounds out of first place in
the points. We are in first place in the shootout points which shows our
consistency in qualifying. My crew really stood up to the test under a
great deal of pressure. Ashley’s first victory
with the Shelby came during the NHRA O’Reilly Spring Nationals in
Houston, Texas. A little less than two years earlier, Ashley had won in
his debut outing with InfiNet Insurance and Financial as his major
sponsor. Doing well in his initial outing is something that has become a
trademark for Ashley. a
d v e r t i s e m e n t Case in point, when
Ashley debuted a new Trans-Am as a teenager in the late-Eighties, he
became the first driver to exceed 210-miles per hour. One year later, he
brought out a radical Beretta in the newly created Pro Modified division
and became the first-ever low qualifier. Ashley will concede that success
all has to do with the preparation one takes before making their debut.
“The natural evolution
of bringing out a new car is to do better than its predecessor,”
explained Ashley. “We always test extensively before we bring one out.
We won’t bring a car out before it is properly tested.” Ashley’s Mustang had
well over 100 test runs on it before the first national event in
Gainesville, Fla. While the street version
of Shelby’s GT500E boasted 302 cubic inches and a healthy 325 ponies, it
appears anorexic when compared to Ashley’s 526-inches of Ford Hemi. This
powerplant was the brainchild of Ashley’s crewchief Chuck Ford, who
built the 2,500-horsepower creation. While Ford’s forte is in cylinder
head development, he didn’t skimp on parts by adding the best
combination possible such as a healthy 14.71 Kobelco supercharger, JE
pistons and Brooks rods, Bryant crank, and an Moroso oil pan. The modified
cylinder heads carry such valvetrain components as Manley valves, Stage 5
Rockers and a Crane Camshaft. The ignition is from MSD. When it comes to
the fuel it burn, only one choice pleases Ashley and that is Torco Racing
Fuels. The spent gasses are projected through a set of Hedman Hedders. With the car originally
prepared for a nitrous combination, how hard was it to convert the Ford to
a supercharged Hemi? It went beyond being a simple bolt-in procedure. “I wouldn’t say that
it was easy,” explained Ashley. “We had to make some changes to the
chassis although they are basically the same and adjust the body to
accommodate the engine. We had to adjust for the fuel cell and tank,
headers and move some bars around for the Hemi.”
The chassis was
originally built by Tommy Mauney and was later converted to the Hemi specs
by Alan Pittman. The Shelby features a 110-inch wheelbase and the chassis
was crafted by the finest chromoly available. Ashley’s suspension is
more than adequately handled through Lamb Struts in the front and shocks
incorporated in a TM Race Cars four-link design. The rearend is from Mark
Williams. Absorbing the shock to the racing chassis are a set of Goodyear
Top Fuel size slicks spun on Weld Racing wheels. The carbon fiber body was
created by Hairy Glass. One has to wonder with the success of this Shelby
GT500E will there be a crop of new ones coming out the in the near future?
Not if Ashley has his way. He is not enthused about the potential of other
Shelby GT500E’s hitting the strip, but if they do it will be without his
support. Ashley has already turned down many requests for use of the molds
to build bodies. Right now, the only other one being built belongs to
Ashley. He is currently having one more built as a back-up for 2004 and
for the 2005 season. “It had crossed my
mind, but the ’63 Corvette that we have which is being driven by Danny
Rowe is doing well now,” explained Ashley. “For now, I like our car
being the only one out there.” Of course, there’s the
radical paint schemes that his cars tend to generate. It’s just a part
of the persona that Pro Modified has made famous. As the legendary John
Force pointed out, “I love these cars because they put on the doors
whatever they want.” Illusions Paint and Body’s Mark and Allen Adkins
along with talented graphics “Picasso” Mark Brown, merged Ashley’s
Gotham City theme along with the Shelby legend on this 230-mph easel
within the confines of their Bristol, Tenn.-based shop.
“It is all a part of
the excitement that Pro Modified generates,” added Ashley. “We want
the class to be as exciting as it can be. I really believe in the value of
having a theme car when it comes to marketing. We want the cars to look as
radical as they can. The fans really seem to love it. That’s our
goal…to make the fans happy. We have developed a pretty large fan
following. We are always looking forward to the next car and the challenge
of making it even better.” It all ties in to his
personal approach to the sport. Ashley admits that very little of his
mortgage banking occupation is relevant to his race team. However, his
strong point in the industry for over two decades has been in the
marketing aspect. In 16 years of racing, Ashley admits the marketing
benefits the team very well. “I love drag racing,
the driving, the travel and meeting new people,” explained Ashley. “I
love the fans and my fellow racers. I really love everything about drag
racing. I love the fact that it is a family sport. The bottom line is that
you have to separate the sport. One half is the passion you have for it
and doing it. People always do better when they love doing what they do.
They other half is financing it and making it all happen. It’s expensive
and you have to be able to finance it. If you want to finance it, you have
to treat it like a business. “That’s what I try to
do. I try to run it like a business. The only reason we have the radical
paint schemes is to make our program more marketable and attract more of a
fan following. The more attention you get. The more of a perceived value
it has for a sponsor. “I look at my car and
every part of it is for sale. The doors, fenders and wing…the
uniforms…and every part of our racing operation is for sale to a
potential advertiser. I won’t put someone’s name on my car unless they
are providing some kind of benefit for my team. The way it all works is
that I go out of my way to ensure that I am providing a value for them. I
will not allow someone to join on as a marketing partner unless I am sure
that I can deliver a value for their investment.” Ashley sees that as a
successful formula for his racing operation. However, one has to look at
his operation and draw the assumption that he has to be spending way more
than the class brings to the table. Such an assumption is one that Ashley
quickly dismisses. “It’s not what the
class brings to the table, it’s what you get out of the class,”
explained Ashley. “At this point, the class brings ten races to me at
ten incredible facilities where you have over 50,000 fans in attendance.
There’s a top-notch television show on ESPN2 dedicated only to our
class. There’s a huge value for a potential sponsor there.
a
d v e r t i s e m e n t “That enables us to
raise the money to field a first-class operation. I’m not going to allow
someone to invest in our team unless I can deliver a value. I want to be
first-class.” It all makes one wonder,
why after a decade of being a dyed-in-the-wool nitrous advocate would a
competitor of Ashley’s stature make the abrupt change from nitrous
(which was on the street-driven “Eleanor”) to the archrival
supercharged combination. “I think a blower car
gives me the best chance to win,” admitted Ashley. “I think the blower
cars have gotten more consistent in the last decade. I also think
there’s a huge potential for improvement with the nitrous combination. I
wanted to try a blower car and it was addicting. It was the raw horsepower
that got me. “As much as I loved
running the nitrous cars back in the day, a supercharger has now stolen my
heart. I guess the ultimate would be a blower car with nitrous. You never
know these days with the way this class is changing.”
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© Competitionplus 2004